Maison Martin Margiela, 1989–2009: The Private Archive Collection

159
Maison Martin Margiela,1988 -

Trompe-l'œil Coat, Spring-Summer 1999

SIZE: M, 身幅 42cm, 着丈 106cm / Width 42cm, Length 106cm

STARTING BID : 
$1,300
CONDITION

Good condition.
Trompe-l'œil print
Rayon 82%, Nylon 18%, Made in Italy

All lots are pre-owned vintage items sold "as is" in their current condition, and are not new. They may show signs of age and wear, including deterioration of materials, discoloration, fraying, and staining. Any descriptions of period, line, name, and condition represent our opinion, based on expert advice and records provided by the consignor, in accordance with customary practice in the trade of fashion and vintage garments.

All sales are final. No statutory cooling-off period or right of withdrawal applies to this sale under the Japanese Act on Specified Commercial Transactions. Returns, refunds, and cancellations for reasons attributable to the buyer (including differences in impression, size, or colour, and the effects of age or wear) cannot be accepted. By placing a bid, you agree to these conditions.

DESCRIPTION

Trompe-l'œil Print Series, Collection piece

The Spring-Summer 1999 collection revisited and reinterpreted many of the defining ideas and motifs that had shaped Maison Martin Margiela during its first decade. Rather than reproducing earlier works, the collection developed and reimagined their underlying concepts, offering a renewed perspective on the House's creative legacy. Presented nearly ten years after the founding of the Maison, it marked both a reflection on Margiela's pioneering vision and a reaffirmation of its continued evolution.

This collection piece reinterprets the celebrated Trompe-l'œil series first introduced in the Spring-Summer 1996 collection. A photographic image of a classic Chesterfield coat is printed onto a long cardigan, creating the illusion that the wearer is dressed in an entirely different garment. Borrowing its name from the French term meaning "to deceive the eye," the series translated the artistic tradition of trompe-l'œil into fashion, blurring the boundaries between reality and illusion. By challenging the relationship between image and object, representation and materiality, the work stands as one of Martin Margiela's most celebrated conceptual designs.

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