The surface of the artwork shows signs of discoloration and fading.
While it was once signed, the signature has mostly worn away due to age and environmental factors, becoming visible only from certain angles.
The plastic bag has tears in several places, and the coal briquet is cracked in places, with particles scattered inside the plexiglass case.
The paper cover is torn on the edges.
Additionally, there are scuff marks along the surface of the plexiglass case.

A leading figure in post-war German art Joseph BEUYS (1921–1986) was a contemporary artist, sculptor, educator, and social activist. He advocated for the "extended definition of art" and the concept of "social sculpture," seeking to imbue contemporary art with a creative and participatory role in shaping society and politics. Opposing materialistic culture, Beuys emphasized the unconventional role of art in the spiritual renewal of society and the preservation of the environment. His goal was to permeate all areas of life with the principle of creativity, traditionally reserved for artists. He employed symbolic materials such as felt, fat, and honey, which were deeply connected to the shamanic aspects of his practice, including performances, lectures, and educational actions. His works are part of the collections at institutions such as the Art Institute of Chicago, The Museum of Modern Art in New York, the Tate Gallery in London, the Hamburger Bahnhof in Berlin, and the Kunstmuseum Basel.

This piece is one of Beuys’ symbolic works, exploring transformation and connection through the symbolism of fire and materials. The felt and fat he often used represent protection and the circulation of energy. Fire symbolizes destruction, creation, and transformation, functioning as an element that reconsiders the relationship between nature and humanity. This work is deeply tied to Beuys’ concept of "social sculpture," transcending physical art to deliver a message that fosters social awareness and inspires action.

Galerie Edition Staeck, Heidelberg
Phillips, London, October 11, 2012
Christie's, Hong Kong, April 12-20, 2023