Chisako Fukuyama
The Quiver of Nonhuman Life
September 2 (Wed) – 13 (Sun), 2026
NEW is pleased to present *The Quiver of Nonhuman Life*, a solo exhibition by painter Chisako Fukuyama, on view from September 2 to 13, 2026.
Throughout her practice, Fukuyama has responded to signs of small, overlooked and abandoned forms of life, tracing, for instance, the passage of plants through wilting, withering, and decay. A graduate of Musashino Art University, her practice extends beyond the conventional boundaries of painting and has been deeply influenced by Kazuo Ohno, Yukio Nakagawa, and Isamu Wakabayashi.
For her first solo exhibition in 1998, poet Gozo Yoshimasu contributed an introductory text, while Kazuo Ohno, inspired by Fukuyama’s work, performed a dance in front of her paintings. Since then, Fukuyama has continued to present her work primarily through solo exhibitions. In recent years, she has also participated in exhibitions at the Ashikaga Museum of Art, which has acquired several of her works for its collection.
The Japanese word *sendō* (顫動), used in the exhibition title, refers to a faint, subtle trembling or quivering. What Fukuyama confronts is the very existence of these minute quivers of nonhuman life—forms of life that can never be fully absorbed into human systems of value and meaning.
To what extent can painting respond to the signs of small lives that are trampled underfoot and disappear without ever being named? Layers upon layers of paint and paper accumulate on the surface of Fukuyama’s works, materializing the very time devoted to this question.
We invite you to visit the exhibition and experience *The Quiver of Nonhuman Life* as rendered through Chisako Fukuyama’s paintings.
Throughout her practice, Fukuyama has responded to signs of small, overlooked and abandoned forms of life, tracing, for instance, the passage of plants through wilting, withering, and decay. A graduate of Musashino Art University, her practice extends beyond the conventional boundaries of painting and has been deeply influenced by Kazuo Ohno, Yukio Nakagawa, and Isamu Wakabayashi.
For her first solo exhibition in 1998, poet Gozo Yoshimasu contributed an introductory text, while Kazuo Ohno, inspired by Fukuyama’s work, performed a dance in front of her paintings. Since then, Fukuyama has continued to present her work primarily through solo exhibitions. In recent years, she has also participated in exhibitions at the Ashikaga Museum of Art, which has acquired several of her works for its collection.
The Japanese word *sendō* (顫動), used in the exhibition title, refers to a faint, subtle trembling or quivering. What Fukuyama confronts is the very existence of these minute quivers of nonhuman life—forms of life that can never be fully absorbed into human systems of value and meaning.
To what extent can painting respond to the signs of small lives that are trampled underfoot and disappear without ever being named? Layers upon layers of paint and paper accumulate on the surface of Fukuyama’s works, materializing the very time devoted to this question.
We invite you to visit the exhibition and experience *The Quiver of Nonhuman Life* as rendered through Chisako Fukuyama’s paintings.
Book
In conjunction with the exhibition, the following publication will be available for purchase: *Iki no Kōya, Sekai ga Sendō Shiteiru: Gaka no Shokuhatsu Suru/Sareru Shintai* (Heibonsha), a collaboration with photographer Hajime Sawatari and poet Shuntaro Tanikawa. ¥4,950 (tax included)
Also available will be *Hana Sakeru, Haie Saka-meguri: Chisako Fukuyama Works* (Suiseisha), ¥3,850 (tax included), and *Han-e, Fureru, Kedamono no Furabon* (Suiseisha), ¥2,420 (tax included).
In conjunction with the exhibition, the following publication will be available for purchase: *Iki no Kōya, Sekai ga Sendō Shiteiru: Gaka no Shokuhatsu Suru/Sareru Shintai* (Heibonsha), a collaboration with photographer Hajime Sawatari and poet Shuntaro Tanikawa. ¥4,950 (tax included)
Also available will be *Hana Sakeru, Haie Saka-meguri: Chisako Fukuyama Works* (Suiseisha), ¥3,850 (tax included), and *Han-e, Fureru, Kedamono no Furabon* (Suiseisha), ¥2,420 (tax included).
### ARTIST PROFILE
**Chisako Fukuyama**
Born in Nishi-Shinjuku, Shinjuku, Tokyo. Fukuyama graduated from Musashino Art University. Her practice extends beyond the conventional boundaries of painting, and she has been deeply influenced by Kazuo Ohno, Yukio Nakagawa, and Isamu Wakabayashi. In 1998, she held her first solo exhibition at Gallery Miyasaka in Ginza, Tokyo, for which poet Gozo Yoshimasu contributed an introductory text. Inspired by Fukuyama’s work, Kazuo Ohno performed a dance in front of her paintings. Since then, she has continued to present her work primarily through solo exhibitions.
Her publications include the essay collection *Han-e, Fureru, Kedamono no Furabon* (Suiseisha, 2012) and the monograph *Hana Sakeru, Haie Saka-meguri* (Suiseisha, 2021), which features a foreword by Giorgio Agamben. In 2026, Heibonsha published *Iki no Kōya, Sekai ga Sendō Shiteiru: Gaka no Shokuhatsu Suru/Sareru Shintai*, a collaboration with photographer Hajime Sawatari and poet Shuntaro Tanikawa.
**Selected Exhibitions**
* *Igyō no Hanabana* (2023), special presentation in *Promenade in Color*, Ashikaga Museum of Art; five exhibited works acquired by the museum
* *Inochi no Gūwa* (2025), Ashikaga Museum of Art; three exhibited works acquired by the museum
* *OSAKA INTERNATIONAL ART* (2025), Osaka
* Faenza Contemporary Art Festival (2011), Italy
**Chisako Fukuyama**
Born in Nishi-Shinjuku, Shinjuku, Tokyo. Fukuyama graduated from Musashino Art University. Her practice extends beyond the conventional boundaries of painting, and she has been deeply influenced by Kazuo Ohno, Yukio Nakagawa, and Isamu Wakabayashi. In 1998, she held her first solo exhibition at Gallery Miyasaka in Ginza, Tokyo, for which poet Gozo Yoshimasu contributed an introductory text. Inspired by Fukuyama’s work, Kazuo Ohno performed a dance in front of her paintings. Since then, she has continued to present her work primarily through solo exhibitions.
Her publications include the essay collection *Han-e, Fureru, Kedamono no Furabon* (Suiseisha, 2012) and the monograph *Hana Sakeru, Haie Saka-meguri* (Suiseisha, 2021), which features a foreword by Giorgio Agamben. In 2026, Heibonsha published *Iki no Kōya, Sekai ga Sendō Shiteiru: Gaka no Shokuhatsu Suru/Sareru Shintai*, a collaboration with photographer Hajime Sawatari and poet Shuntaro Tanikawa.
**Selected Exhibitions**
* *Igyō no Hanabana* (2023), special presentation in *Promenade in Color*, Ashikaga Museum of Art; five exhibited works acquired by the museum
* *Inochi no Gūwa* (2025), Ashikaga Museum of Art; three exhibited works acquired by the museum
* *OSAKA INTERNATIONAL ART* (2025), Osaka
* Faenza Contemporary Art Festival (2011), Italy
The Quiver of Nonhuman Life
Exhibition Dates: September 2 (Wed) – September 13 (Sun), 2026
Hours: 12:00–19:00
Closed on Mondays
Venue: NEW
B1F, 5-9-15 Jingumae, Shibuya-ku, Tokyo 150-0001
Reception
Date: September 4 (Fri), 2026
Time: 18:00–20:00
Venue: NEW
Exhibition Dates: September 2 (Wed) – September 13 (Sun), 2026
Hours: 12:00–19:00
Closed on Mondays
Venue: NEW
B1F, 5-9-15 Jingumae, Shibuya-ku, Tokyo 150-0001
Reception
Date: September 4 (Fri), 2026
Time: 18:00–20:00
Venue: NEW




